Egret and Cattails

I’m finally finished with this piece. It’s taken a minute due to dealing with some health issues but I’m feeling much better now. I have to say this drawing was initially an experiment for me. What interested me in doing this was a curiosity sparked by looking at images of the egret’s white form against the background of a blue sky. I became curious to know if I could make a drawing much in the same way as an silhouette illustration but instead of doing the subject matter in all black like a silhouette, I wondered if I could do the background in all black and leave the subject white. I guess that would be a reverse silhouette, if there’s such a thing. And for the most part that is what I ended up creating. I’m pleased with the end result. There’s some shading to the beak, legs and eye area of the egret along with the tops of the cattails but everything else is just white. I really like the simplicity of this drawing and how I did try to add much detail to it. A former art instructor once told me that I have a habit of trying to add in too many details and that it’s okay to leave things out. It’s like how when you first get into drawing and you try to draw every strand of hair on a person’s head. It’s exhausting and unnecessary. Doing this piece took me back to my early art instruction and reminded me that a drawing doesn’t need to be overly complex in order to be appealing and interesting. You just have to figure out what to leave in and what the drawing can do without. πŸ™‚

“Egret and Cattails” by Q. Rumbley

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Q.

Pen and ink artist inspired by Nature, Beauty, Spirit and Song.

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