Well, I’ve been experimenting more with color. Working with color is more time intensive and far less easy to cover up if you blend the wrong colors for a particular effect. So far things are going okay but I’m on the fence. I admit, I’m a bit nervous about making color a permanent stay in my style. Past attempts haven’t faired too well for my liking and I can’t really tell if I’ve made any progress over the years. Below are two past attempts at color. What do you think?
Zen Rocks – a small series of zen rocks on 2.5 x 3.5 Strathmore artist cards.
As I’ve been tapping away, laying down small dabs of colored ink on my current drawing “Succulent”, I found myself feeling a bit lonely. Now when I say lonely, I’m not referring to an absence of social interaction or some sort of lack of being understood. Rather what I’m referring to is this loneliness I felt in artistic style. The way in which I create my work is by using a drawing and painting technique generally known as stippling or pointillism. The terms are often used interchangeably but I like to think of stippling as when I use nothing other than black ink and pointillism when I use mostly colored ink. It’s my personal way of keeping the two terms straight in my head. But you see, pointillism isn’t as widely used as a technique in the art world, which I’m sure is probably due to how time intensive it can be. So if I where to go to my local bookstore and pick up a drawing magazine, looking for inspiration, it is very rare that I will flip through the pages and see scores of images of contemporary artistic works done using pointillism. It is in that I felt this bit of loneliness. So for inspiration, instead of turning to contemporary artists, I am led back to the works of Paul Signac.
I first became aware of Signac while taking an Art History course in college. I had already been introduced to the technique of pointillism in high school but I knew nothing of it’s origin and history. (I’m glad that I took Art History instead of some other elective.)
Signac was a close friend and influenced by George Seurat, who also created pointillistic paintings. And although Seurat is more well known for his ‘A Sunday Afternoon on the Île de la Grande Jatte’ painting, I’ve always taken a liking to the work of Signac more. Maybe it was how he seemed to focus more on landscapes and natural elements in his work rather than the human world. Being someone who is more oriented towards the world of Nature than man, it’s natural that his work would appeal to me more. But I also find Signac pointillistic paintings more defined, taking on a more realism feel where Seurat’s pointillism feels more diffused and a bit abstract. Now, don’t get me wrong, I’m not saying that Seurat’s work is bad or wrong, I do admire his work especially in regards to pointillism, so I’m not dismissing him. It’s only that if I had to choose between Signac and Seurat as a source of inspiration for my own work, it would be Signac hands down. It’s to Signac I turn when I might need an idea on how certain colors may mix or when I need a reminder of what can and can not be achieved with a pointillism. But it’s also to Signac I turn to quell that tinge of loneliness I feel travelling down the pointillist path.