We are all born with so much potential and gifts that are far too often left undiscovered or unused.
We are all born with so much potential and gifts that are far too often left undiscovered or unused.
For some time now I’ve had this bag of beads just sitting on my shelf collecting dust and taking up space. I can’t recall how I obtained this bag of beads, all I know is that it was there and so, I figured I should probably do something with them. Departing from my usual activities to unwind, (listening to music or watching Netflix), I took the bag of beads off the shelf, sat in the middle of my floor and spent the next five hours beading. I had nothing particular in mind but with a few internet searches and some color coordination, I pulled together a few designs that were to my liking. It was nice to just sit and create something without being concerned about profit or productivity. Oddly enough, my husband popped his head into my room, saw what I was making, thought they were cool and reflexively asked, “Are you selling those?” (He asks this whenever I make something.) “No. That hadn’t crossed my mind.” I replied. “You should.” he responded before disappearing back into the hall while closing the door behind him. I thought about for a minute, maybe I should but after finishing the six pieces I created, I realized that deep down I just wanted to create something for myself for a change, something that I had no intentions on selling. Creativity doesn’t always have to offered to the gods of profit.
Sometimes you have those moments where your mind wanders and you look back over your life and you ask yourself, “If I could go back in time, knowing what I know now, what would I do differently?” It’s one of those questions that many people are sure to ask themselves, I know I have. But for me that wondering would be in a more general sense where I always concluded that I wouldn’t do anything differently. In comparison to where I started from, I feel my life has turned out pretty okay. It could use some improvements in some ways but according to statistics and social scientists, my life should have turned out far worse. So I don’t regret how things have panned out so far. But then I got to thinking, is there anything I would do differently as an artist? And that’s when I started to feel some pangs of regret. While I’m proud of how far I’ve come, I can’t help but think at times how much further I could possibly be if I had of done a few things differently. Here are five things, that if I had a time machine, I would go back and do differently.
1. Own being an artist early on. In all honesty, I wasn’t too proud of having a creative spirit. I had sensed from the environment around me that being an artist didn’t have the same prestige in the community as being a principal, a social worker, teacher or foreman. I mean, people thought it was “cute” that I could draw but it wasn’t something that anyone encouraged me to pursue or praised me for. Even when I confided in a teacher that I was thinking about going to art school, I was immediately forewarned not to go and instead encouraged to go to a university with a diverse curriculum. So, I started off my academic career as a psychology major at the local community college only to later change it to Fine Arts, which required me to put in three years to obtain an Associates degree.
2. Take a few creative writing classes. I’ve always wanted to write and illustrate my own stories. Actually I wrote a 50 page short story back when I was 14 years old that I still have ’til this day. Since then I’ve only written two more that I’ve kept to myself. But once in a while I’ll do a drawing based off of a story that I’ve kept in my head. I’ve always imagined my art being coupled with stories or poetry and sometimes even songs. But to write and to draw, especially with the type of drawing that I do, seems to be a tall order. The time it would take to write the story and write it well along with the time it would take to do the drawing sounds exhausting. And with technology seemly shortening my attention span, I’m not sure if it would even be worth the effort. There is this thing called “Flash Fiction” that’s known for it’s brevity. I’ve entertained getting into that from of writing but it’s only a thought. Who knows, maybe I’ll find some way to weave writing into my art in the future.
3. Stayed in a smaller city. I moved from a small town to a big college city and I have to say getting my foot into the art scene here is much more challenging compared to when I was staying in a small town. In the town I was living in it was easier for me to develop a personal relationship with people. The manager at the local gallery was approachable and I could talk to her without having to make a pitch or bring a portfolio just to get her attention. Yearly there was a local art fair. Applications were $25 and a table was $50. But I was young and thought a bigger city was the place to be. So I didn’t invest too much energy into trying to get known as a local artist since I was going off to a university after I finished community college. To my surprise the art scene where I live now is nationally known. People from all over the country come to the yearly art fair and for a local artist just to have a table can run you up to $1500 but first you have to serve on the art jury for a year before you can get your own table.
4. Don’t underestimate the value of a community college education. Everything I learned that has been useful to me ’til this day, I learned at community college. From drawing, to web coding and graphic design. It was practical, useful and industry based. When I transferred to university, everything became based not on practicality but theory. Even the art classes. Out of my five years there and changing majors three times, the only courses I took that are still useful to me ’til this day were Economic Botany and Traditional Cartography. Looking back I feel that much of university education is more hype than anything else. So don’t look down on community college. I’m glad I attended both and was able to experience the difference. Don’t get me wrong, going to university was great for the experience and networking but looking back I probably could have done just fine without it and not have the debt I acquired. (I was able to pay for community college with my part-time job)
5. Invest in myself. Some people seem to have this unwavering belief in themselves and what they are doing. Me on the other had, I’v always had a tendency to second guessed myself and because of that I always put more value on the opinion of others rather than upon my own hopes and dreams. I always assumed everyone else knew better than me what was the best course for me. So for some time I followed the status quo until I found out the hard way that there’s no guaranteed security in the status quo just as much as there’s no security in carving out your own path in life. It’s eye opening when all that you thought was secure gets pulled out from under you due to corporate down sizing. In the process I’ve gradually learned how to live with uncertainty and developed more confidence in my ability to handle things.
So those are the five things I would do differently as an artist if I could go back in time. How about you? What are some things you would do differently as an artist or creative if you had a time machine?
The difference between a good artist and a great one is:
The novice will often lay down his tool or brush, then pick up an invisible club on the mind’s table and helplessly smash the easels and jade. Whereas the vintage man no longer hurts himself or anyone and keeps on sculpting light. ~ Hafiz
I wanted to put my head through my drawing table today. Despite the end results and the delight I see on the faces of collectors, being an artist isn’t easy. Some days I just want to throw in the towel. But then I remember there isn’t anything else in life that I’m remotely interested in doing. Nothing else makes my eyes light up or stirs my soul like creating art and seeing others creating art. I’m fascinated with the imagination, artistry and creativity. I’m the type of person who wants to see the concept art and storyboards for a movie more than the actual movie. I want to see and know how things are made not just marvel at the finished results. So this spirit of art and creativity is just in me through and through but it’s not always an easy spirit to live with. Sometimes I wonder why I couldn’t have been someone interested in numbers and went off to become an accountant? Or something a bit more, dare I say…practical. But that just isn’t how I was made, so I guess I’ll just keep sculpting light.
It’s the last day of March and I’m going to do something I rarely do; rant.
My rant is about artist’s statements. Who reads these things? I ask because whenever I come across advise for artists on how to gain more exposure and look more professional, it’s always suggested to write a wonderful, indepth artist statement on your background, explaining why you create, what inspires you, what are you trying to express and how you do your work. This sounds great and all, but who are the people who want to know this stuff because I’ve never met them.
I’ve been selling my art seriously now since the summer of 2015 and honestly, not one person has ever asked me “So, what inspires you?” No one has ever directly asked me, messaged me, DM’d me or tweeted me “What are you trying to convey with you work?” Matter of fact when it comes to the artists whose work I absolutely love, I don’t even think about these things, their work just captures my attention and if I want to see more I try to find out whether they have a blog, Twitter, Facebook, Instragram account or a mailing list. And that’s it. I’m not wondering, “Hmmm, I wonder why this artist creates?”
When people do ask me questions they’re rather practical questions like, how much does this cost, do you do commissions, can you draw my dog, do you do tattoos or can you make a t-shirt? I even have analytics that track engagement on my website and about twice a year somebody clicks on my About page and surprisingly that’s more than my FAQ page. People generally just look at my work, buy something, sign up for my newsletter or leave.
So this leaves me to wonder, who are these people who read artist statements? Artists are always encouraged to create a statement but who reads these things and who actually cares? Are artist statements still important in this digital age where people can just follow your work online or subscribe to your mailing list? Maybe because I’m an independent artist who deals directly with the people who buy my work that this doesn’t seem to play a big role or appears all that important. Maybe if I was pitching my work to galleries it would be useful. I really don’t know. Maybe somebody has some insight to this, which I would welcome any enlightenment on, but for now, I have this seemly arbitrary About page on my website that tries to answer all these questions that no one ever asks.