Scribbles & Scratch

I was up until 1am scratching out some sketches for my next ACEO series. Most of the time if I have something in mind I go straight into the linework on the cards and then go from there. But sometimes I have to do preliminary sketches to work out my ideas, especially if it’s complex or if its a figurative piece that is a bit more involved than a portrait. Sometimes I use elements and poses from previous drawings and sometimes I do something all completely new. I’m not the greatest at drawing things straight from my imagination, especially when it’s something I’ve never drawn before, so often I need to gather reference material. You should have seen me running back and forth from my camera to strike a pose with only 10 seconds to get ready for the shot to capture some photo references. If I had the money, I would hire a model but for now I have to use myself which is not fun for me. I prefer being behind the camera not in front of it. 

This next series involves beings with wings but I want to make it clear that they are not angels. They’re simply avian beings. For the moment I’m calling the series “Dark Wing” but that may change as well as some elements to the drawings. The main focus is to have female figures with wings with a little hint of fantasy and magic weaved in somewhere but I’m not exactly sure as to how just yet. My underlying artistic goal is to meld together a beautiful blend of nature and the female form with touches of magic and fantasy into a personal style that is all my own. Unfortunately my work tends to be more so some off shoot of representational art than anything else. I have a ways to go to reach my goal but I’ll get there. Anywho, these are my first sketches that I wanted to share.  

Early Influences: Edward Gorey

I have quite a few early influences. Some still influence me ’til this day and some only fueled my artistic interests for a particular period in my life. As with most influences there’s always that first one; the one that gets a young mind’s creative juices flowing. So I got to thinking about who was that first one for me, that one artistic muse that kicked off my love for the pen and ink?

Digging way back into the recesses of my mind, back into my childhood where I spent lazy Sunday afternoons staring aimlessly at a tv waiting for something halfway interesting to come on. Sundays were notorious for boring tv viewing especially with the few channels that were available at the time. For no reason in particular the tv always ended up on PBS which is where I first saw the tv series Mystery! I’m sure I probably just dated myself. But in case you don’t remember or weren’t born yet, Mystery! was a spin off of PBS Masterpiece Theater featuring British crime dramas that aired from 1980 to 2006. (Growing up in Alaska I watched a lot of British tv series…and Justin Wilson, you know, that Cajun cook but I’m sure that was more so my moms doing.)

Anywho, now I’m not really all that into crime and mystery stories, my thing has always been scifi and fantasy, so it wasn’t the content of the series that I found myself waiting to see each Sunday after my initial discovery of the show. It was the opening sequence that held my attention. At the beginning of each episode was an animated title sequence featuring the original pen and ink drawings of none other than Edward Gorey. Well, I actually didn’t learn that the artist was Edward Gorey until decades later when I came across a book of his work at the bookstore. But even though I didn’t know who the artist was I always remembered his work. I loved the simple use of just black ink on white paper, the manner of detail in his linework and his ability to take such a simple yet unforgiving medium to create emotive illustrations to fit the theme of his works. Gorey captured my young mind in that animated sequence each Sunday afternoon and was the first to stir my artistic interest in drawing and particularly drawing in pen and ink. I still enjoy his works ’til this day and I still have this thing for opening sequences to shows and movies.

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